Dividing the film into four reels, they used the collaboration app Postlab to edit sections of the project simultaneously, and leveraged the powerful roles feature in Final Cut Pro to identify and track visual effects shots. Hake and his assistant, Sam Plümacher, needed to craft an editing workflow that allowed them to collaborate in separate locations - while also accurately tracking the stunning visuals being created by the effects powerhouse Scanline VFX. They used Sync-N-Link X to quickly create audio-synced multicam clips, and LockitScript to add detailed on-set script metadata to Final Cut Pro. These assets and the original audio recordings were uploaded to the Netflix Content Hub and shared with Hake’s editorial team. WorkflowĪward-winning director of photography Yoshi Heimrath’s initial filming took place on a soundstage in Prague, where the digital imaging team created ProRes LT proxy files from ARRI RAW camera footage. With its amazing performance and flexibility, Final Cut Pro gave him the freedom to explore many creative options for the film. Veteran feature editor Knut Hake turned to Final Cut Pro to tell this unique story. In director Peter Thorwarth’s new Netflix film Blood Red Sky, a woman with a mysterious illness is forced into action when a group of terrorists tries to hijack an overnight flight across the Atlantic Ocean. How an experienced editing team used Final Cut Pro to deliver a Netflix Original feature film. Exporting pristine 4K files for delivery is blazing fast with Mac Studio.įinal Cut Pro’s power and ease of use has allowed Jenn to reach her ever-growing social media audience, while also managing a successful production company. Prebuilt graphics and effects are created with Pixelmator Pro and Motion, and Jenn uses Smart Conform to make a vertical version of her video for TikTok or Instagram in one easy step. Syncing both videos in Final Cut Pro, she can quickly color correct and adjust timing. Jenn then turns to her YouTube channels, capturing live 4K footage while simultaneously recording her Mac’s display with Telestream’s ScreenFlow. “In one evening drone shot, we used BorisFX’s BCC+ Sunset to enhance the sky and the result was pretty eye-popping,” comments Jager. They then rely on Motion to generate dynamic custom effects and titles, as well as powerful tools like Continuum FCP with Mocha tracking and masking from BorisFX. The editors import their media into Final Cut Pro and quickly get to work assembling a project. The team deploys a DJI Mavic 2 Zoom drone for dramatic exterior scenes, and an iPhone 14 Pro is essential for those hard-to-get shots in tight spaces. Filming takes place with Sony cameras set up in a pair to capture multiple angles, with audio recorded on Sennheiser and Sony microphones. WorkflowĪt Plum Productions, producers collaborate with the client to develop a concept that best meets their needs. Jenn’s team relies on the speed and efficiency of Final Cut Pro to produce hours of high quality videos every week. She’s also the host of two YouTube channels where she covers trending topics in video production and tips for starting a new business. Jenn Jager is the founder of Plum Productions, a fast-moving media company that creates content for dozens of clients in South Florida. How a small business owner uses Final Cut Pro and Motion to grow her customer base and YouTube following all at once Overview
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